Subject: Guns & Roses

Guns N' Roses - Knockin´ on heavens door


Mama take this badge from me
I can't use it anymore
It's getting dark, too dark to see
Feels like I'm knockin' on heaven's door

Ref.:
Knock, knock, knockin' on heaven's door,
Hey, hey, hey, hey, yeah
Knock, knock, knockin' on heaven's door,
Ooh, knock, knock, knockin' on heaven's door
Ooh yeah
Knock, knock, knockin' on heaven's door
Hey, hey, hey, hey, yeah

Guitar solo 1

Mama put my guns in the ground
I can´t shoot them any more
That cold black cloud is comin down
Feels like I'm knockin' on heaven's door

Ref.:
Guitar solo 2g

Guns N' Roses - Live And Let Die


When you were young
and your heart was an open book
You used to say live and let live
you know you did
you know you did
you know you did
But if this ever changin
in which we live in
Makes you give in and cry
Say live and let die
Live and let die

What does it matter to ya
When ya got a job to do
Ya got to do it well
You got to give the other fella hell

You used to say live and let live
you know you did
you know you did
you know you did
But if this ever changin
in which we live in
Makes you give in and cry
Say live and let die
Live and let die

Guns N' Roses - Madagascar


I won't be told anymore
That I've been brought down in this storm and left so far out from the
shore;
that I can't find my way back
My way anymore

Oh no, I won't be told anymore
Ooh, that I've been brought down in this storm and left so far out from
the shore;
that I can't find my way back
My way anymore

Oh no, I

Forgive them that tear down my soul
And bless them that they might grow old
Ooh, and free them so that they may know
That it's never
Too late

All the many times, what seemed like a memory
I've searched and found the ways, you used to lure me in
Oh, I've found a way, of why it had to be
Mired in denial and so hard to break

If we ever find it's true
That we have the strength to choose
Oh, freedom of the detained
We'd live together..

I'm gonna tell you a story
(FBI Agent Monk (portrayed by Badja Djola), Chapter 35-A Razor Sharp
Confession-1:40:06; Mississippi Burning, 1988; written by Chris Gerolmo)

Stand up for righteousness!
(Dr. Martin Luther King, Jr., Why Jesus Called A Man A Fool (Delivered
at Mount Pisgah Missionary Baptist Church, Chicago, Illinois, on 27
August 1967)

What?
(Road Prison 36 Captain (portrayed by Strother Martin), Cool Hand Luke,
1967; written by Donn Pearce)

Stand up for justice!
(Dr. Martin Luther King, Jr., Why Jesus Called A Man A Fool, (Delivered
at Mount Pisgah Missionary Baptist Church, Chicago, Illinois, on 27
August 1967)

What?
(Road Prison 36 Captain (portrayed by Strother Martin), Cool Hand Luke,
1967; written by Donn Pearce)

Stand up for truth!
(Dr. Martin Luther King, Jr., Why Jesus Called A Man A Fool, (Delivered
at Mount Pisgah Missionary Baptist Church, Chicago, Illinois, on 27
August 1967)

How can a person grow up with all this around them?
(Detective William Somerset (portrayed by Morgan Freeman), Chapter 19;
Se7en, 1995; written by Andrew Kevin Walker)

You got to call on that something
(Dr. Martin Luther King, Jr., Why Jesus Called A Man A Fool, (Delivered
at Mount Pisgah Missionary Baptist Church, Chicago, Illinois, on 27
August 1967)

Where does it come from?
(FBI Agent Alan Ward (portrayed by Willem Dafoe), Chapter 6-"where does
it come from, all this hatred?"-00:20:25; Mississippi Burning, 1988;
written by Chris Gerolmo)

That can make a way out of no way
(Dr. Martin Luther King, Jr., Why Jesus Called A Man A Fool, (Delivered
at Mount Pisgah Missionary Baptist Church, Chicago, Illinois, on 27
August 1967)

All this hatred?
(FBI Agent Alan Ward (portrayed by Willem Dafoe), Chapter 6-"where does
it come from, all this hatred?"-00:20:25; Mississippi Burning, 1988;
written by Chris Gerolmo)

What we've got here is..
(Road Prison 36 Captain (portrayed by Strother Martin), Cool Hand Luke,
1967; written by Donn Pearce)

Fear!
(Detective William Somerset (portrayed by Morgan Freeman), Chapter 19;
Se7en, 1995; written by Andrew Kevin Walker)

That power that can make a way out of now no way
(Dr. Martin Luther King, Jr., Why Jesus Called A Man A Fool, (Delivered
at Mount Pisgah Missionary Baptist Church, Chicago, Illinois, on 27
August 1967)

Failure to communicate
(Road Prison 36 Captain (portrayed by Strother Martin), Cool Hand Luke,
1967; written by Donn Pearce)

I tell ya I seen the lightning...I've heard the thunder roll!
(Dr. Martin Luther King, Jr., Why Jesus Called A Man A Fool, (Delivered
at Mount Pisgah Missionary Baptist Church, Chicago, Illinois, on 27
August 1967)

Everybody's acting like we can do anything and it don't matter what we
do. Maybe we gotta be extra careful because maybe it matters more than
we even know..
(Private Eriksson (portrayed by Michael J. Fox), Casualties of War,
1989; written by Daniel Lang)

Sometimes...
(Dr. Martin Luther King, Jr., Why Jesus Called A Man A Fool, (Delivered
at Mount Pisgah Missionary Baptist Church, Chicago, Illinois, on 27
August 1967)

Hatred isn't somethin' you're born with
(Mrs. Pell (portrayed by Frances McDormand); Chapter 29-Mrs. Pell Gives
the Vital Information-- 1:29:22; Mississippi Burning, 1988; written by
Chris Gerolmo)

I feel discouraged
(Dr. Martin Luther King, Jr., Why Jesus Called A Man A Fool, (Delivered
at Mount Pisgah Missionary Baptist Church, Chicago, Illinois, on 27
August 1967)

It gets taught
(Mrs. Pell (portrayed by Frances McDormand); Chapter 29-Mrs. Pell Gives
the Vital Information-1:29:22; Mississippi Burning, 1988; written by
Chris Gerolmo)

Sometimes I feel discouraged
(Dr. Martin Luther King, Jr., Why Jesus Called A Man A Fool, (Delivered
at Mount Pisgah Missionary Baptist Church, Chicago, Illinois, on 27
August 1967)

I felt this fear
(Detective William Somerset (portrayed by Morgan Freeman), Chapter 19
Se7en, 1995; written by Andrew Kevin Walker)

He promised never to leave me, never to leave me alone, no never alone,
no never alone!
(Dr. Martin Luther King, Jr., Why Jesus Called A Man A Fool, (Delivered
at Mount Pisgah Missionary Baptist Church, Chicago, Illinois, on 27
August 1967)

Let's get something straight, alright?
(Agent Rupert Anderson (portrayed by Gene Hackman), Chapter 27-- Ward
and Anderson's Frustration -1:24:58; Mississippi Burning, 1988; written
by Chris Gerolmo)

Promised never to leave me!
(Dr. Martin Luther King, Jr., Why Jesus Called A Man A Fool, (Delivered
at Mount Pisgah Missionary Baptist Church, Chicago, Illinois, on 27
August 1967)

This whole thing was fucked up
(Agent Rupert Anderson (portrayed by Gene Hackman), Chapter 27-- Ward
and Anderson's Frustration -1:24:58; Mississippi Burning, 1988; written
by Chris Gerolmo)

Never to leave me alone!
(Dr. Martin Luther King, Jr., Why Jesus Called A Man A Fool, (Delivered
at Mount Pisgah Missionary Baptist Church, Chicago, Illinois, on 27
August 1967)

All men betray. All lose heart!
(The Leper / Robert the 16th Earl of Bruce (portrayed by Ian Bannen),
speaking to his son, Robert the 17th Earl of Bruce in a scene concerning
the betrayal Robert the 17th Earl of Bruce committed toward William
Wallace; Chapter 15-Lands of Death-2:13:57; Braveheart, 1995; written by
Randall Wallace)

I don't want to lose heart!...I want to believe
(Robert the 17th Earl of Bruce, (portrayed by Angus McFadyen) responding
to his father (The Leper / Robert the 16th Earl of Bruce)'s nonchalant
attitude toward betrayal; Chapter 15-Lands of Death-2:14:02; Braveheart,
1995; written by Randall Wallace)

Black men and white men
(Dr. Martin Luther King, Jr., I Have A Dream, (Delivered as the keynote
speech at the March on Washington for Jobs and Freedom on 28 August
1963; written by Julian Bond)

Together at the table of brotherhood!
(Dr. Martin Luther King, Jr., I Have A Dream, (Delivered as the keynote
speech at the March on Washington for Jobs and Freedom on 28 August
1963; written by Julian Bond)

I have a dream
(Dr. Martin Luther King, Jr., I Have A Dream, (Delivered as the keynote
speech at the March on Washington for Jobs and Freedom on 28 August
1963; written by Julian Bond)

Free at last! Free at last! Thank God almighty!! WE ARE FREE AT LAST!!
(Dr. Martin Luther King, Jr., I Have A Dream, (Delivered as the keynote
speech at the March on Washington for Jobs and Freedom on 28 August
1963; written by Julian Bond)

Oh, I won't be told anymore
that I've been brought down in this storm
and left so far out from the shore
that I can't find my way back
My way anymore (we'd live together)

Oh no, I won't be told anymore
Ooh, that I've been brought down in this storm oh and left so far out
from the shore
that I can't find my way back
My way anymore (we'd live together)

Guns N' Roses - The Blues


All the love in the world couldn't save you
All the innocence inside
You know I tried so hard to make you
To make you change your mind

And it hurts too much to see you
and how you left yourself behind
You know I only wanna be you
Now thats a hell I cant describe

So now I wander through my days
And try to find my ways
To the feelings that I felt
I saved for you and no one else

And though as long as this road seems
I know its called the street of dreams
But thats not stardust on my feet
it leaves a taste thats bittersweet
thats called the blues

I dont know
Just what I should do
Everywhere I go
I see you

Although its what we planned
this much is true, oh oh
What I thought was beautiful
Dont live inside of you
Anymore, oh oh

I dont know just what I should do
everywhere I go
I see you
Its what we planned
this much is true, oh oh
What I thought was beautiful
Dont live inside of you
Anymore

What this means to me is more
than I know you believe
What I thought was you now
has cost more than it should for me
What I thought was true before
were lies I couldn't see
What I thought was beautiful
Is only memories, oh oh oh

Guns N' Roses - Welcome To The Jungle


Welcome to the jungle
We got fun 'n' games
We got everything you want
Honey we know the names
We are the people that can find
Whatever you may need
If you got the money honey
We got your disease


Chorus:


In the jungle
Welcome to the jungle
Watch it bring you to your shun n,n,n,n,,n,n,,n,n,n,,n,n,,n knees, knees
I wanna watch you bleed


Welcome to the jungle
We take it day by day
If you want it you're gonna bleed
But it's the price you pay
And you're a very sexy girl
That's very hard to please
You can taste the bright lights
But you won't get them for free
In the jungle
Welcome to the jungle
Feel my, my, my serpentine
I, I wanna hear you scream


Welcome to the jungle
It gets worse here everyday
Ya learn ta live like an animal
In the jungle where we play
If you got a hunger for what you see
You'll take it eventually
You can have anything you want
But you better not take it from me


Chorus


And when you're high you never
Ever want to come down, so down, so down, so down YEAH!


You know where you are
You're in the jungle baby
You're gonna die
In the jungle
Welcome to the jungle
Watch it bring you to your shu n,n,n,,n,n,,n,n,n,,n,n,,n,n,,n knees, knees
In the jungle
Welcome to the jungle
Feel my, my, my serpentine
In the jungle
Welcome to the jungle
Watch it bring you to your shun n,n,n,n,,n,n,,n,n,,n,n,,n.n, knees, knees
In the jungle
Welcome to the jungle
Watch it bring you to your
It's gonna bring you down!
Ha!

up

http://www.flickr.com/photos/gnrontour_2006/213962581/

Guns N Roses Biography:
At a time when pop was dominated by dance music and pop-metal, Guns N' Roses brought raw, ugly rock roll crashing back into the charts. They were not nice boys; nice boys don't play rock roll. They were ugly, misogynist, and violent; they were also funny, vulnerable, and occasionally sensitive, as their breakthrough hit, "Sweet Child O' Mine," showed. While Slash and Izzy Stradlin ferociously spit out dueling guitar riffs worthy of Aerosmith or the Stones, Axl Rose screeched out his tales of sex, drugs, and apathy in the big city. Meanwhile, bassist Duff McKagan and drummer Steven Adler were a limber rhythm section who kept the music loose and powerful. Guns N' Roses' music was basic and gritty, with a solid hard, bluesy base; they were dark, sleazy, dirty, and honest -- everything that good hard rock and heavy metal should be. There was something refreshing about a band who could provoke everything from devotion to hatred, especially since both sides were equally right. There hadn't been a hard rock band this raw or talented in years, and they were given added weight by Rose's primal rage, the sound of confused, frustrated white trash vying for his piece of the pie. As the '80s became the '90s, there simply wasn't a more interesting band around, but owing to intra-band friction and the emergence of alternative rock, Rose's supporting cast gradually disintegrated, as he spent years in seclusion.

Guns N' Roses released their first EP in 1986, which led to a contract with Geffen; the following year, the band released their debut album, Appetite for Destruction. They started to build a following with their numerous live shows, but the album didn't start selling until almost a year later, when MTV started playing "Sweet Child O' Mine." Soon, both the album and single shot to number one, and Guns N' Roses became one of the biggest bands in the world. Their debut single, "Welcome to the Jungle," was re-released and shot into the Top Ten, and "Paradise City" followed in its footsteps. By the end of 1988, they released G N' R Lies, which paired four new, acoustic-based songs (including the Top Five hit "Patience") with their first EP. G N' R Lies' inflammatory closer, "One in a Million," sparked intense controversy, as Rose slipped into misogyny, bigotry, and pure violence; essentially, he somehow managed to distill every form of prejudice and hatred into one five-minute tune.

Guns N' Roses began work on the long-awaited follow-up to Appetite for Destruction at the end of 1990. In October of that year, the band fired Adler, claiming that his drug dependency caused him to play poorly; he was replaced by Matt Sorum from the Cult. During recording, the band added Dizzy Reed on keyboards. By the time the sessions were finished, the new album had become two new albums. After being delayed for nearly a year, the albums Use Your Illusion I and Use Your Illusion II were released in September 1991. Messy but fascinating, the albums showcased a more ambitious band; while there were still a fair number of full-throttle guitar rockers, there were stabs at Elton John-style balladry, acoustic blues, horn sections, female backup singers, ten-minute art rock epics with several different sections, and a good number of introspective, soul-searching lyrics. In short, they were now making art; amazingly, they were successful at it. The albums sold very well initially, but while they had seemed destined to set the pace for the decade to come, that turned out not to be the case at all.

Nirvana's Nevermind hit number one in early 1992, suddenly making Guns N' Roses -- with all of their pretensions, impressionistic videos, models, and rock star excesses -- seem very uncool. Rose handled the change by becoming a dictator, or at least a petty tyrant; his in-concert temper tantrums became legendary, even going so far as to incite a riot in Montreal. Stradlin left by the end of 1991, and with his departure the band lost their best songwriter; he was replaced by ex-Kills for Thrills guitarist Gilby Clarke. The band didn't fully grasp the shift in hard rock until 1993, when they released an album of punk covers, The Spaghetti Incident?; it received some good reviews, but the band failed to capture the reckless spirit of not only the original versions, but their own Appetite for Destruction. By the middle of 1994, there were rumors flying that the band was about to break up, since Rose wanted to pursue a new, more industrial direction and Slash wanted to stick with their blues-inflected hard rock. The band remained in limbo for several more years, and Slash resurfaced in 1995 with the side project Slash's Snakepit and an LP, It's Five O'Clock Somewhere.

Rose remained out of the spotlight, becoming a virtual recluse and doing nothing but tinkering in the studio; he also recruited various musicians -- including Dave Navarro, Tommy Stinson, and ex-Nine Inch Nails guitarist Robin Finck -- for informal jam sessions. Remaining members were infuriated by Rose's inclusion of childhood friend Paul Huge in the new sessions when both Stradlin and Clarke were excluded from rejoining the band. And a remake of the Rolling Stones' "Sympathy for the Devil" was essentially the straw that broke the camel's back, as Rose cut out some of the other member's contributions and pasted Huge over the song without consulting anyone else. By 1996, Slash was officially out of Guns N' Roses, leaving Rose the lone remaining survivor from the group's heyday; rumors continued to swirl, and still no new material was forthcoming, though Rose did re-record Appetite for Destruction with a new lineup for rehearsal purposes. The first new original GNR song in eight years, the industrial metal sludge of "Oh My God" finally appeared on the soundtrack to the 1999 Arnold Schwarzenegger film End of Days. Soon after, Geffen issued the two-disc Live Era: '87-'93.

2000 brought the addition of guitarists Robin Finck (of Nine Inch Nails) and Buckethead. 2001 was greeted with Guns N' Roses' first live dates in nearly seven years, as the band (who consisted of Rose plus guitarists Finck, Buckethead, bassist Stinson, former Primus drummer Brian "Brain" Mantia, childhood friend and guitarist Paul Huge, and longtime GNR keyboardist Dizzy Reed) played a show on New Years Eve 2000 in Las Vegas, playing as well at the mammoth Rock in Rio festival the following month. On New Years Eve 2001, the band played almost the exact same set as the year before.

An appearance at MTV's 2002 Video Music Awards helped garner interest in the new lineup, but a rusty performance from Rose and an interview where he said his new album wasn't coming out anytime soon didn't do much to further their cause. That summer, the band started on their first tour in almost eight years, and they managed to fulfill all of their commitments in Europe and Asia. Sadly, they caused a violent and destructive riot in Vancouver when Rose failed to show up for the first date of their North American tour. While he was up to his old shenanigans with the retooled lineup, former Stone Temple Pilots vocalist Scott Weiland, Slash, Sorum, and McKagan formed the successful Velvet Revolver in spring 2002.

And so years passed and still no new GNR album, to the point where it became a joke to many. The album was long billed as Chinese Democracy, and occasionally session recordings would leak and make their way onto Internet file-sharing networks. A fascinating article written by Jeff Leeds for The New York Times, published March 2005, revealed how tangled and costly the making of the album had become. According to the article, titled "The Most Expensive Album Never Released," Rose began work on the album in 1994 and racked up production costs of at least 13 million dollars. Producers involved with the album at one time or another include Mike Clink, Youth, Sean Beavan, and even Roy Thomas Baker. (Curiously, Moby claimed to have been offered the job as well.) Marco Beltrami and Paul Buckmaster were allegedly brought in for orchestral arrangements, and there was a revolving door of guitarists. In 2006, the album seemed closer to release, as Rose began surfacing in public and even took his band on the road for some shows. Stephen Thomas Erlewine Greg Prato, All Music Guide

1999 G N' R Lies [Gold]
1993 Spaghetti Incident?
1991 Use Your Illusion II
1991 Use Your Illusion I
1989 G N' R Lies
1988 Lies, the Sex, the Violence
1987 Appetite for Destruction [Edited]
1987 Appetite for Destruction
1986 Live ?!*@ Like a Suicide

dnesny Axl

guns sú fajn, ale Oasis 100x lepší

spomienka na stary dobry guns

tento mi tu chyba aj ked novy je tiez dobry ale slash je slash.

slash

a tu ste uz dufam boli


TU

Guns N' Roses - Sweet Child O´Mine


Intro:
Guitar solo:

She's got a smile that it seems to me
Reminds me of childhood memories
Where everything was as fresh as the bright blue sky

Now and then when I see her face
she takes me away to that special place
and if I stay too long I'd probably break down and cry

Whoa, Whoa,___ Whoa.___ sweet child o' mine.____
Whoa, oh,__oh, oh,____sweet love o' mine._____

Guitar solo:

She's got eyes of the bluest sky
as if they thought of rain
I hate to look into those eyes and see an ounce of pain
Her hair reminds me of a warm safe place
where as a child I'd hide
and pray for the thunder and the rain to quietly pass me by

Whoa, Whoa,___ Whoa.___ sweet child o' mine.____
Whoa, oh,__oh, oh,____sweet love o' mine._____
Whoa, Whoa,___ Whoa.___ sweet child o' mine.____ ooh yeah yeah
Whoa, oh,__oh, oh,____sweet love o' mine._____

Guitar solo:

Whoa, Whoa,___ Whoa.___ sweet child o' mine.____
Whoa, oh,__oh, oh,____sweet love o' mine._____
Whoa, Whoa,___ Whoa.___ sweet child o' mine.____ ooh yeah yeah
Whoa, oh,__oh, oh,____sweet love o' mine._____

up.
Kelly Family
http://www.kellyfamily.de/index.php
:D